I can’t say I’m very invested in the debate about Bob Dylan’s Nobel Prize in Literature, but I can picture how the deliberations might have played out. The plus side is fairly simple. His songwriting played an enormous role in shaping the sensibilities of a seismic cultural shift in the 1960s and thus (insofar as it was a seismic shift) of cultural trajectories thereafter. I imagine all at the table would also grant that Dylan has proven himself both a great and highly prolific songwriter.
But, respond the naysayers, songwriting is at least as much about instrumentation and melody and musical coordinates as it is about the verbal. Dylan may have had as profound an impact on culture as such previous winners as Gabriel Garcia Marquez and Toni Morrison, but does the verbal element in the songs, on the page without the music, reach the same level of word-built architecture as
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